» It is also an opportunity to discover Nadège Meden, a great lyricist full of potential – and aplomb, in an Abigaille with a striking high register. »

 

CLÉMENT DEMEURE – FORUM OPÉRA

Nadège Meden is a French soprano with a genuine spinto-dramatic voice, distinguished by a dark-hued timbre, generous middle register, and brilliant, penetrating top notes.
Her artistry was shaped through extensive European training in France, Germany, and Italy, where she refined a repertoire spanning the Italian bel canto tradition and the German Romantic school. As a polyglot performer fluent in French, German, English, and Italian, she is able to rehearse and perform directly in the original languages of her roles, a key asset for international collaboration.
Alongside cornerstone Italian heroines such as Aida, Tosca, Leonora (Il Trovatore), and Elisabeth de Valois (Don Carlo), Nadège Meden embraces the great German repertoire, including roles like Elisabeth (Tannhäuser), Sieglinde (Die Walküre), and Ariadne of Naxos as well as concert works by Beethoven, Strauss, and Mahler.
Her vocal identity is inspired by iconic artists such as Grace Bumbry and Jennifer Larmore, models of dramatic power, refined musicianship, and commanding stage presence.
Praised for her musical intelligence, stylistic versatility, and disciplined work ethic. Her current artistic focus is dedicated to Verdi, Wagner, and Richard Strauss, positioning her as a soprano prepared for the dramatic demands of major European repertoire. Nadège Meden stands at a decisive moment of her career, ready to bring her mature, expressive instrument to opera houses seeking a soprano capable of delivering authentic dramatic impact with technical reliability.

Nadège has been lucky enough to work with many musicians, including Michel Plasson, Françoise Pollet, Carlo Gaïfa, Cheryl Studer, Grace Bumbry, Isabelle Kabatu, Jennifer Larmore, Anna Pirozzi and Marianna Pizzolato. She has worked with many directors, including Lotte De Beer, Anna Maria Bruzzese, Dmitri Tcherniakov, Lars Franke, Christiane Jatahy and Marie-Hélène Vigier. A lover of languages and poetry, Nadège is particularly fond of Lied and mélodie, which she works on in duo with Soraya Verdier and Phil Richardson, with whom she performs in recital.